Your voice, without the room.
A dialogue bus tuned for spoken teaching: isolate the voice, pull down the hiss and the wind, add presence — and A/B the result against the raw take before you commit to anything.
Dialogue isolation, noise reduction, wind reduction, voice enhancement, and hum rejection — each a simple percentage, each processed on your machine, each undoable.
Warmth at 120 Hz, clarity at 2.5 kHz, sparkle at 8 kHz — with exact Hz, dB, and Q inputs when your ears want precision instead of presets.
Lay a music bed on A2 and it automatically dips under your voice and swells back in the gaps — sidechain ducking without ever opening a compressor.
Flip between processed and untouched dialogue while the timeline plays, and audition tracks independently — so every enhancement is a decision, not a leap of faith.
Dedicated dialogue and music buses with per-clip gain, fade envelopes, mute/solo, crossfades — and 10 ms de-click ramps at every internal cut, automatically.
Studio measures your edited programme and normalizes to broadcast-style targets — like podcast-standard −16 LUFS with a −1 dBTP limiter — so listeners never ride the volume knob.